You don't want to play the accordion pressing the button 'in' the whole time. You might as well have a hole in your bellows!
You do, however, use it all throughout a song. It is a matter of learning to very slightly tap it with the palm of your hand. Suppose you're doing a ton of in out, in out. That's a good time to use it. Also, you can use it to keep your bellows from drawing out too far.
Use it to maintain keeping the bellows closely 'in' so you don't draw them out too much.
It is, as others say, somethine that becomes second nature over time. You don't want to think too much about the air button while playing, or you'll probably do more damage in the learning process than good.
But, my advice is, tap it when you feel it is necessary. When you're too far out with your bellows, obviously you need to push the air button to bring the bellows back in.
It is somewhat difficult to explain the air button. That's all I know!
Which old builders said that one should hold in the air button at all times during a song? In order to prevent breaking reeds?? Perhaps that person knows how to build accordions, but as far as playing them, I don't know.
If the player was meant to have a constant leak in their accordion, then all accordions would come with a leak.
In order to prevent breaking reeds, don't play so loud!
True, using the air button when your very far out with the bellows will prevent you from pushing in too hard to come back (as well as sounding your reeds unnecessarily too LOUD), and in turn, will keep you from busting all your PUSH reeds....
However, that part about pressing the air button throughout that whole song is gross misinformation.
one more piece of 'information' you run across, that doesn;t help..
who said that?
not sure, i talked with a bunch of them
heard all kinds of things
one of them used to have a lifetime guarantee
but some players were 'bringing them back every monday morning after a gig' with blown reeds
of course, according to the [cajun] builder, it
always seemed to be the 'creole' [paraphrasing here, you can imagine what the real word was] guys
who did this
so he had to drop the guarantee
as well as pass out all kinds of bogus advice against playing too hard, especially as a beginner
i probably wouldn;t want to say who said this, even if i remembered
another factor in remembering is, the builders all tell uncomplimentary/doubtful stories about the *other* builders, so it;s kind of hard to keep it all straight..
needless to say, i don;t play that way or advise it, it's just one more piece of 'information' you run across, that doesn;t help..
Re: one more piece of 'information' you run across, that doesn;t help..
Blown reeds are a bit of a mystery to me. While playing, there are almost always two or more buttons depressed, often enough as many as five if you count the bass side. I'm not sure how hard you would need to press to blow a reed, but it must be hard indeed. I guess I will know if I ever do blow one. I have to admit my 10 year old LeCapitaine is a touch leaky (hang it by the bass strap and it will stretch out in about a minute and a half), but I think that just makes it more playable. I always strive to smile and play in an easy relaxed manner, if you do that, your arms will not get tired and there is probably no danger of blowing out a reed.
Well, I do, late at night when I'm in danger of catching hell from my wife or neighbors. Sometimes softly playing one middle or just the high can have a fine sweet sound.
Re: Re: Air valve. Question for accordions players
What an air valve ?
Je ne sais pas le dire en anglais, alors je vais le dire en français :
C'est le bouton qui se trouve à l'arrière, sur le coté gauche du mélodéon, et que l'on actionne avec la paume de la main pour faire revenir rapidement le soufflet en tirant ou en poussant, lorsqu'on se trouve en bout de course.
Cette action pose souvent problèmes pour les joueurs débutants, comme moi, mais qui veulent progresser et qui cherchent conseils après de joueurs confirmés sur ce forum.
Capito ?
Marc.
Re: Re: Re: Re: Re: Air valve. Question for accordions players
Je suis né et je vis à Paris, France.
Malheureusement je ne parle pas bien bien (mais je comprends très bien) l'anglais. J'ai souvent du mal à participer à ce forum, mais pas pour les lyrics car j'ai une très bonne connaissance de la musique cajun.
Merci Maz.
I think what makes this subject so interesting, is it's one of those things that you just have to do, and almost impossible to explain. Sort of like steering a car. You start out as an new driver with information overload between gas, brakes, and steering. But as time goes by, you don't think about how much you adjust the wheel to stay straight, you just do it.