Matt, it is a Bb accordion, and the extra base buttons are Eb both ways. On a C accordion it would have been F both ways. There is a decision there that seems pretty well divided, with more leaning toward the same both directions. And I guess the deciding factor is if the player wants it more to play a song in that key, or to use those base/chords in the 2 primary keys.
That is an awesome looking box. I like the four bass layout. Is it difficult to play the two inside buttons? With five stops, this would make a good Irish box using the three middle reeds with four basses. That would be very interesting. Nice job. I would love to see a video of this unique box in action.
Dam, Bryan, that's a real beauty! You and Chuck are going to wind up going down in history as one of those legendary collaborations, like Rogers & Hammerstein, or Lennon and McCartney - y'all sure design some fine looking accordions together.
Thanks Jamie, back at ya. It's been a real privilege watching Bryan turn my ideas into living, breathing works of art. No question who gets the credit; I don't think anyone knows, or cares, who paid Michalengelo to paint that church ceiling.
I ain't buying it, Chuck; you've done a lot more than just pay to have it done. But we all have to all give credit to Bryan for the head-scratching, blood, sweat, and tears (and cussing) that went into the finished product. Salut!
Jamey, if you ever get an email from Bryan...like I did a few years back...saying "Go ahead, challenge me! I love a challenge!" I recommend you save it. It may come in handy down the road.