It is not childish to have a mutual agreement on a word or term in order to have an intelligent conversation.

Tremolo is at the heart of accordeons.

Tremolo is NOT a fluctuation in volume in an accordeon.

Oh please. You and Larry hijacked the thread to argue back and forth. It was neither a mutual agreement nor intelligent conversation.

"hijacking" is changing the subject.

You were talking about tremolo. The topic remained tremolo.
I explained my theory of the evolution of the "Cajun" sound ergo from "wet" (tremolo) tuning to a drier tuning. ( limited or no tremolo)

I cannot account for ,or take responsibility, for misinformation or sidetracking from others.

I noticed in Bubba Brown's Creole Stomp video that he played a Sterling with the #3 stop down. Hohners have a wet reed set in that position, and to play it dry you just close that register.

If that is the case with Sterlings, Monarchs, and other old German boxes, then you had wetness on demand. The result would be tuning as varied as the song versions to suit the mood of the day.

Excellent observation.

And when boxes went out of tune...so much so it was difficult to determine a "base"...
the second set of middle reeds , over time< were often tuned to match the "440" set.