I got an idea of who you should ask... go to the fiddle hangout site and ask mitch reed that same question, i'm sure that he can answer that for you.good luck.
Check the Mamou Cajun Band, cousins Adam and Cyprien Landreneau. They are one of the last of the old-timey duets.
...and also don't overlook the CD "Face to Face" by Doug Kershaw and Steve Riley. Good stuff. Doug plays a 175 year-old fiddle, and Steve plays an old Sterling.
Here are the three most important things to keep in mind:
1) The rhythm
2) The rhythm
3) The rhythm
An accordion/fiddle duo can be done and has been done. But you are at huge disadvantage due to the lack of a rhythm section. You will both need to be extra diligent to establish and maintain a solid, discernable rhythm any way you can.
Is there any chance of adding an acoustic guitar and making it a trio? The requirements for the rhythm guitar are not particularly demanding, but it makes an enormous difference. Take the Savoy Doucet Cajun band for example. Anne Savoy's guitar work is highly effective and is what holds it all together. And yet what she does is remarkably simple. If you need an even more inspiring example, consider D.L. Menard. The man is a rhythm genius. Totally in the pocket, but with a number of subtle, inventive twists that add a lot of interest but not distracting or over played.
Again, normally I keep my mouth shut around these parts, but what the hell, I'm feeling lucky today! Maybe also consider just getting a triangle of some percussion instrument to pick up while the singing is going on so that the dancers still have a beat to cut up to, but the continuance of the accordion or fiddle doesn't step on the singer. For instance, accordion starts the song with the fiddle playing a second or harmonizing melody. Then, when the singing kicks in, the accordion player picks up the triangle to continue the beat for the dancers. Lots of variation that you can do having a triangle or scrub-board (something like that) laying around for the opposite player to switch to at any point.
Hell, I'd also say consider letting the singer go a capella for a bit. With a nice enough voice and nice enough lyrics (this requirement is met by ALL Cajun songs), sometimes a capella can be VERY powerful to drive home the feel of the tune.
As I said, I normally keep quiet around these parts, but the holidays are doing something strange to me.
Have a good day everyone! :v: :smile:
Check out the recordings of Bois-Sec Ardoin and Canray Fontenot for a great example of this kind of thing.
My wife and I have such a duo, and we find that a really good sounding way to play is for both accordion and fiddle to play the melody together and then the fiddle seconds and I play the bass on the accordion while I sing. We have to be careful what chords we play, because I can’t play all of them. This is an old old way to play. This is the way Amede Ardoin and Dennis McGee played together. Too bad you can’t hear Dennis better on the records.
I forgot to mention that this is also how Hector Duhon and Octa Clark played. On that old album with the black and white cover, they have Michael Doucet playing guitar but you can tell they don't need him. Hector does some really interesting things playing around the melody, weaving in and out, but what he plays is mostly based on the melody.
Thanks, Sam. What do you play when your wife sings? Does she second her own singing on fiddle?
We haven’t crossed that bridge yet because she hasn’t sung anything. I guess I would keep the rhythm going with the bass and use two or three note chords in the right hand, with some omissions where the bass and chord would clash.
do you have any videos of you two playing on youtube?
Funny how you guys are talking about the fiddle at this point in time. LOL:smile:
Jerry: no, no videos yet.