In a word, dancing. Its an infectious dance music. I was very involved in cajun dancing before I ever picked up a rubboard, then accordion, then fiddle.
And having always wanted to be a musician, it provided a way to be involved in another way with something that I was enjoying already. So, listening to some cajun music outside of the dance hall is not the same as listening to it in the dance hall. You just don't get that multimedia effect.
Its also an accessible music, once you get past the particular hurdles of the instruments. And lyrics. And rhythm.
And, I guess, it is where I'm from.
Oh I guess here about a month ago, I wrote of this young fiddler (10 yr old) that I met by my just sitting on the porch doing what it is I enjoy doing.. playing traditional accordion.
We only spoke of traditional French muisc for about 3 hours once we met... then... boop off he went and I have not seen or heard from him since! Lo-and-behold, had a call last evening re: young Mr. Carl and he would like to hook up and play some stuff he has been working on (traditional French music). So while I wondered what he was doing.. he was learning and practicing traditional at home, plus what ever else kids do with spare time.
Mind you (everyone) I live in a little town (Galt) in Northern California... So here I am thinking about this topic of the croaking out of the tradiditional music and thinking ...hummmm, of all the places on the planet GALT and up pops this little bitty guy fiddle player wanting to indulge in Traditional French Music! How odd is that one?
Will it die out? Will it go away?
Perhaps as Mr. Roland had indicated.. yep, the dance halls may wither away to a short few.. but I just don't think that this old soul sound for Traditional French Music will dry up and blow away all together... nope, not as long as some distant sound of an accordion catches the attention of some young ear and leaves em wanting to know what it is all about... especially stemming from a town called Galt California.
I look forward to this afternoons session with young Carl the fiddle playing prodigy ... I am knowing that this youngster has choices for what it is he wants from his violin and yet he's picking up on traditional.
Aside from all that.... if it is MONEY MONEY MONEY (and for some it seems to be), may as well hook up with some syndicated this or that and spike your hair up, eat rats (or worse) on stage. HA. or... have a day job which most do anyways.
Power to the old goats and the young kids of Traditional French Music that do it for the love of it all. Makes me want to whip up a pitcher of Margies and celebrate!
We can only hope this music and culture stays alive.... I feel it will. I'm 25 years old and I live in Baltimore maryland, where there is practically no following for Cajun music, yet I'm doing anything I can to spread interest in it. I often go to accordion club meetings and play these older guys and some young people cajun accordion music. It was there my band was aired on fox 45. I've got my siser's friend's kid interesed in playing. I also spend a whole lot of time by the inner harbor and fells point playing caun music for hours to many drunken bar hoppers. You must make a point to explain what it is you are playing for those interesed.
This sounds like a small cry to a large crowd (being baltimore), but I take my accordion out when i can and spread the word. if enough people do that, Cajun music will stay alive.
The popularity of Cajun, Bluegrass, Big Band, Folk, etc. will ebb and flow with the times. They will be modified and adapted only to be re-discovered by purists. A few hard core performers may even scratch out a living at it.
The accordion is a relative new commer and we are very fortunate that some of the original performers were recorded in the 1920s and 30's.
My question is.... will there ever be a shortage of accordion makers in the future? Marc says no one will carry on his business, Larry says the same. Mouton's website is down (is Greg done making boxes?).
Well, we certainly have evidence on this board of two people who have started building more recently, and who haven't even hit full stride: Jude Moreau and Ed Poullard.
Jude has been at it for awhile, though not as long as Marc and Larry--and he is 20-some years younger than they are. Ed has started more recently, and has already made some beautiful instruments. So I think we can look forward to many productive years ahead from both of them!
The newer builders have been influenced and helped, of course, by Marc and especially Larry, from what I understand. So their legacy will continue in that way.
It is a good question though--are any younger people showing signs of picking up the craft?
Didn't mean to include that link in my previous post! You can ignore it, unless you enjoy reading about fake Cajun festivals with lots of hype!
It is to a so-called "Cajun" festival that, sad to say, somebody is putting on
the same weekend as Isleton. I'd started to write something in response to the discussion of what happened to Isleton, rumors that there was going to be a festival. I just got wind of this one, was going to alert people that it is NOT the same thing at all...then decided, why even both talking about it. But I guess the website link remained, when I went on to do another post!
John Roger has an apprentice right now with a couple of more coming on board soon and though he has only recently start his apprenticship program. More may apply.
Hi . . . I live right in the heart of Acadian country here in the Province of New Brunswick, Canada, although I'm not of Acadian background myself, all my friends are, I play my music to Acadian people, etc.
I'd like to know how much interest you have in this area where your ancestors came from. Do you ever talk about this place? Do you have any Acadian music?
Or did the deportation happen so long ago, that it's not important?
I suppose I could go on and on with questions but maybe that's enough to get my point across.
I look forward to hearing from you, with thanks.