Elton Doucet near Chruch Point, La. makes a very fine inst. for the price.
Start with a C accordion. That is the key most of your accordion instructions, tape or DVD are in. In most of your workshops, like in Augusta or the Balfa week always requires a C accordion. Good luck!
but for anything recorded, you can always change
the key and re-record in the right key
might be weird for videos and dvds though.
Jude's accordions are top quality. I have a B flat and a D, and could not be happier. He also is a great person to deal with for service.
While I don't own anything but LA boxes -- four Falcons and one Martin, I agree with the need of owning a LA box -- especially since I was very familiar with C&Z for several years before I even thought about learning to play. HOWEVER, by the time the special LA box order is built and received (2 months to a year in most cases) one's desire to get learning the tunes running through one's head might get a bit cloudy. For an immediate jump start, I'm with Hal. Sink the cash into something made for first-timers to see if they even warm-up to it.
That said, I'm also all for first-timers buying a $1k-$2K LA box, so when they give up on it after a couple of months, they sell at a drastically reduced price tag to braves like us!
Hey Rick,I Maybe mistaken, but you did'nt happen to be at atchafalya club in henderson on St. Patrick's day? Geno Delafose played that night and I had just checked out your website the day before and thought I saw someone who looked like you in the restraunt. May just be coincedence! lol! By the way, cool site.
Your site rocks Rick. I have to search around for that CD by Danny Collet. He is on a french DVD for about 15 seconds playing a triple note swamp pop tune with a killer guitarist. That 15 seconds of him 10 years or so ago is worth the purchse price of that CD alone.
Thanks Mr. Ace! Glad you like my site. It's just a little diary, really. It's also a place to expose friends and family to music and gives me an opportunity to promote Louisiana-ism... a state of mind that I live in every single day.
Until I get my new [unnamed band] put together and gigging, mosquitogumbo gets all my attention. That is, what's left-over from playing with my accordion and squeezing the girlfriend. Er, something like that!
Ding! Ding! Ding! Yep, I was there that night 3/17, but didn't stay long as the gravitational pull of Travis Matte playing at Wrangler's pulled me towards Carencro!
I'd have bought you a beer had I known it was a brave from the forum!
Nice site Rick.
Now a question or two: on one of the pics, your buddy ,Travis Matte is seen sporting a black Hohner Club box,while jamming with you,at his place.
Now,was the Hohner declubded or was he playing it, with all the accidentals intact.
In any case does he use it on stage, and how did it sounded?.
Can I assume that he was playing Zydeco music with it or just fooling around?.
I just think that theses boxes have a real cool look.
Hey Claude ~ Travis has a very good command of the triple-row accordion, even though he doesn't use one live or recorded.... "yet." that is. That black Hohner Club model of his is really cool. It is all intact with the accidentals and that... drone key. Travis is an amazing musician. Accordion is just "second fiddle" -- as you may already know Travis is very well known and respected in the "Cajun circuit" as a top-notch fiddle player.
The photo you are referring to -- with the triple-row, is just one example of how mult-faceted Travis is. That night at his house, he also strapped on a guitar while his drummer (Simoneaux) played along on my white Martin box. They were working up a new tune that Simoneaux had found a groove on.
Here's the litmus test for all of us in bands OUTSIDE of the Bayou State... get this... every one of Travis' band mates can play the accordion quite well. It's something in the water down 'dere!
Let's all have a drink!
I went to Savoy Music Center to get my first accordion last year. I liked the way the Ariette looked, but playing it was something else. It took a lot of effort to get it to sound. Marc and Tina talked me into a Hohner 114. It doesn't look at all like a Cajun box and not nearly as pretty as the Ariette. But I really liked it. It was tuned much wetter than LA boxes and didn't sound much like the Dirk Powell DVD's and other instruction media. I closed the 2nd stop to take the wetness out, but it still wasn't quite right. I paid about $400 for it and, by far, Marc has the lowest price on them.
It wasn't long, however, before I wished I had spent another $700 for either a Bon Cajun or Jude Moreau box. They are about $1200 now and Bon Cajun shuts down July 7th.
Long story short, my step-fathers's sister from Ireland got my 114 and I have a brand new beautiful box from Larry. It ended up costing more like $1250 when I had it built like I wanted. But now (even though I still want a box from Jr. and Marc) I will live with this one forever. It's my baby and it's so pretty, I could just put it up on the mantel and stare at it. It seems the sound and feel of an LA box can't be duplicated by the Germans or Chinese.
I've only had my Bon Cajun a couple of months, and haven't had my Ariette out of the case since my beautiful Bon C arrived, but this discussion got me interested in a side by side comparison. The Ariette really doesn't sound at all bad. Tuned MUCH wetter, so certainly not as authentic sounding, but really does sound pretty nice. I kinda like the tremolo you get from the wet tuning. The main difference is the bellows are obviously much cheaper and are very stiff in comparison so Larry's so it is much less responsive and harder to play. The buttons are quite a bit "clunkier" too. Overall harder to play fast button and bellows changes. Of course, the wood is really cheap, and construction shoddy, so visually the master craftsman's box wins hands down. But again, the sound really is pretty decent, and for someone wanting an el cheapo to try it out and learn the basics it really is a hell of a bargain. I'm going to keep my Ariette intact until I send my Bon C to Larry for tuning, but once I get the master's box back, the Ariette is coming apart to see if I am any good at tuning.
Marc Savoy's instructions on how to tune an accordion was completely fascinating. Previously I had no idea how they were tuned. Really quite remarkable.