Most of what I've seen on the use of the top button while playing has been by Steve Riley, Aldus Roger and Mark Savoy. All of which have long fingers and use it mostly on the pull when playing Johnny Can't Dance and songs of the same melody when pulling the G.
This thread looks like so much fun that I just have
to dive in
Obviously, purchase what makes sense to you .. but ..
I play at least one tune that can't be pulled
off (pardon the potential pun) without the
"top-button". So, I vote for 10
See the cool thing about the tune of which I speak
is that the same note *is* played on the #2
push as #1 pull .. but, this allows other notes
to be played on the pull or push against the
*same note* by using the #1/#2 buttons.
So, this is a very unique instance on the
Button Box and cannot be done any other way
on the planet Earth!
It's not really top-secret .. It's my
"Amiral Rouge" (c) 2004 song.
(Of course, Amiral Rouge = "Red Admiral" which
is a buttery fly of the family Vanessa Atalanta.)
At 1:45 into the tune, I play a variation on the
main theme using the lowest pitched buttons
on a high-"F" box.
Although the riff can be played elsewhere on the
box, it's the only place that one can drone that
button #1/#2 pitch on push & pull along with the
melody.
I really like the German made 114 Hohners.. plebian and cool.. lots of good music has been made on these
I have had handmade Itailian, Quebec and Cajun made boxes but for all around fun... 114
That said.. if you want a smaller lighter box and still have 10 buttons.. consider Claude's Castagnari..
It's in 12TEt tuning and a scrid off dry.. but it's an outstanding handmade box..
I play Irish and Quebec on 1 rows.. I use the #1 button..