I'm starting to get the feeling that the TABS/EAR disucssion may replace, for a while, the MITER CORNER/BOX CORNER discussion. Yeeeeeeha!
First, to Mr. David Sousa, you are one of the people on this board who has consistantly offered solid, sound input to any and all. Altho we have never met, you have taught me loads, & I thank you for that!

Different people learn in different ways, I guess. For me, playing with tabs has never been an option. I just can't get the hang of what number is supposed to go with what button. Then you have bellows direction, on top of that...(Maybe it has something to do with being kind of dislexic)
My buddy JP in Arizona sent me a tab one time, to see what I thought about the way he wrote it out. It was to a song I knew, & I STILL couldent figgure it out! That's just me. It seems too much like work.

When people are talking about "playing by ear", what they are really talking about is "playing by feel".
This does not require an instructional video to learn. It requires TIME spent making sound with the accordion. You pick up the instrument & begin making sound. Figure out the scale. Figure out "Mary had a little lamb". Figure out "Three blind mice". Figure out "jingle bells". Then figure out the "99 year waltz" "j'ai passe devant ta porte" or what ever simple song you want. Then you can start to use the instructional video to begin learning tecniques on how to play. Then you can start listening to CDs or whatever & start having "ah-ha" moments on how this or that is done. One thing I am sure of is that IF YOU PUT IN THE TIME, YOU WILL LEARN TO PLAY.
If tabs help you ENJOY putting in the time, then they are usefull! Because if you ENJOY putting in the time, you will keep doing it!

I once had a short, and very usefull lesson from Jude Morreau. (Thank you again for that, Jude) He asked me "When did you stop looking at the button board?" My reply was something to the effect of "I never looked at it". I never knew you were supposed to. That's why, rather than calling it "playing by ear" I would call it "playing it by feel".

Another thing that Jude spoke about was having the "want to" to play the accordion. He said, & I agree, that if one has the "want to", to play every day, one will learn to play.

When David Sousa, talks about the importance of playing by ear, or I talk about the importance of playing by feel, we are just sharing our best information based on what we have learned. If playing with tabs helps you learn, then NOBODY WANTS TO TAKE THAT AWAY FROM YOU. As a wise man once said, "nothing suceeds like sucess".

In the meantime, let's continue talking about music...it seems we have really "turned the corner" in our discussions!

Tommee... Dude... you hit the nail on the head. If you have to watch your fingers on the buttons, you're missing it. And if you're having to "look" at your fingers, well why don't you have to look at your bellows, too? Ha. I can understand a person trying to learn guitar having to watch how to finger chords, strings and frets -- there's a lot more going on there than just 10 buttons that are facing away from you anyway. BINGO!

R!CK

Improv. jazz is amazing (ever give it some thought?)... stuff that simply rolls off and is instantly felt by other musicians that lend to the complete spur of the moment for what comes off as sound. That form of music can not be accomplished without total control of what an instrument can do, with you calling the instantanious shots at any given moment as a musician in complete control of your instrument. No beginning horn player can replicate this form of sound... just as no beginning accordion can hear a dose of sound and instantly get that result without the dues of long yrs of aquaintence with such an instrument. Yet, there is that faction of musician within French music (dynamic players) that is so exacting with an accordion that they can regurgitate instantly what they hear.. and ... emulate any style of playing that speaks to specific individuals (some of the masters as it was once played).

Is it feel? Is it the ear?
I think it is both. It is the sweeping consuming effect of what you hear and how you feel about what you hear that determines how you play and lay it out for what others will interpret... some perhaps call it some type of baptisim of sound, or immersion of all things associated with what it represents... what ever it is called, it is part of that "Cross Road" that says: I am either gonna latch on to this thing and nail it if it takes eons.. or, it is gonna kick my U know what, and remind me that I am not where I think I am with what I want out of all this stuff.

Feel or ear??? That is a smidgon of the PSY of this music and instrument that everyone must personally assess for themselves as part of the personal cross roads thing.

Selling your soul to U know who is optional... unless you are looking to finance a new Falcon and it may be a requirement (just joking).

Nonc D

I have been playing and learning music by ear for years on numerious instuments. I find instructions books, tapes and CDs, usful for are the filler notes and techniques.

The most obvious for the Cajun accordion would be the use of octives. I probably would have spend months or years trying to figure them out if Dirk had not shown them on his video.

My personal preferance for banjo and dulcimer music are tabs, for the fiddle, sheet music. But for any instrument, my first chioce would be video CDs or tapes.

That is what works for me, you mileage may vary.