Well, I'm not sure about the winner either. A few years ago, I attended a concert at Wolf Trap. This one guy came out barefooted, prancing around the stage, and throwing out beads to the audience. I think that he finally got around to trying to sing a few tunes. It was the winner. I don't know what you call his performance, but it wasn't Zydeco music!
I'm certainly happy for Terrance -- his first CD, back in... 1989? is completely unique and one of my all-time discs, "Zydeco On The Bayou". I love how hard-edged and tinged with rock it is; and then the nod to reggae legends Marley and Tosh. with the venerable, "Stop That Train". That disc speaks to me as a musician, music lover, and songwriter. Terrance is also one of the absolutely nicest guys I've ever had the opportunity to meet -- genuine with an immediate connection. Great performer, too.
But to catalog his music, and then categorize it, he's something other than what is truly happening in the genre of zydeco. Sure there's zydeco there, and it's probably the best "bucket" to categorize him. But he's also an artist that was far more popular 15 years ago. So while I love his writing, creativity and voice -- what a singer! -- I'm surprised at the award. Moreover, I'm surprised at the nominations as I've written in earlier posts.
The only thing I agree on was that Geno and Pine Leaf Boys were sound choices for nominations. But it's Hollyweird we are dealing with here, not conscious music aficionados that have a clue what is happening now in the Creole genre -- Where's Chris Ardoin, Jeffery Broussard, J. Paul Jr., Rosie Ledet, and Keith Frank? On the Cajun side, where's Ray Abshire, Travis Matte, Wayne Toups, Jason Frey, Marc Savooy, and Jackie Callier? Doesn't the sale (and history) of music account for anything?
Let's just be happy that there's a Louisiana "folk" category at the Grammys. I still don't see how Cajun and zydeco can exist in the same category. It's like having a country/soul category.
I certainly agree with everybody that Terrance is not playing roots zydeco, or even zydeco nuveau, but rather a soul, old-style R&B, reggae blended flavor.
But I also agree with Rick: amazing vocal skills, super friendly guy and someone who brings the crowd with him all the way. He played an outdoor festival in little Hamilton, New York for folks who don't know their zydeco from a ham sandwich, and I credit the interest he stirred for maybe 50 extra people at the Creole Cowboys show at the Opera House the next month.
So...I wouldn't give him the Grammy either, but he's OK as a gateway drug and a fine musician.
I still wonder who the judges are, if they know anything at all about La music, or if they are aware Cajun and Zydeco are different, or if you arent necessarily a Cajun/Zydeco musician just because you mention the word in a song, or because you use to know someone who used to be from La. This is the kind of stuff I was afraid of when I heard about the grammy category. I cant see any good coming from it. The best music I've ever heard was played in a living room last week to the sounds of beer tops popping, feet pounding a wood floor, and beer lubed yelling, much more rewarding than a Grammy crowd. Then again, maybe I'm just too frustrated from dealing with a new computer.
I for one agree that Hollowwood doesn't know anything about Cajun music or culture. They believe that if you just throw a little seasoning on things you can call it cajun. Here is a great idea for a good Cajun CD.