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CAJUN ACCORDION DISCUSSION GROUP

 

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Re: Jennings Squeezebox Shootout

I thought the point was to keep the entire culture alive by any means necessary

Re: Jennings Squeezebox Shootout

" He is not as forth coming with information as I would expect a true master to be toward his students. And anyone that withholds information in my opinion is either ignorant of such information, or he has ulterior motives which may suggest fraudship."

I recall a video where Marc Savoy said he would help anyone who wanted to learn how to build and accordeon. That, according to my first hand resources, was "fraudship" "

I do some stuff that I will not divulge to most people, ( nothing to do with music) because I fear their motive in what I know is not to know it, but to use it.
I hope that makes sense ...
I won't help anyone who does not go to the effort of helping themselves first.

It is not "what you know"
it is "how you know it"

How do you know what you know. I know because I did it and failed, and then I did it again and again and again, and then I learned. I was not taught, I learned.

If you know how you know something, then you know it.
Those that have "suffered" to know something.. by way of effort, trial and error, mistakes, long hours, pain etc
Those are the people that know something.

Those that simply go to someone and say " teach me", are not worthy. Money does not buy knowledge, time buys knowledge.

Those that come to me and say I tried this and this and this and I failed, could you help me. Certainly, gladly.




I believe that would be : Product of an Individual Contributor.

ie NOT a team player.


jjhildrethstudios.com

Re: Jennings Squeezebox Shootout

After seeing the website and reading a bit I see about butt joints and anybody should understand the help comment

Re: Jennings Squeezebox Shootout

Before I started doing Motor Sports Logo Art..
I spent 20 years making furniture and folk art. Always hand made beginning to end by me alone, and always painted.

Furniture made by immigrants to the US and Canada 1850 to 1950 to include:
Quebecois, Gustavian, Ukrainian, Mennonite, Hutterite, Russian, Swedish, Shaker, Doukhobor, Spanish Revival, and Monterey .
That's is where I learned about paint and about joinery. Entirely self taught.
My work is in museums in Japan, Belgium, London, Hamptons in New York, Atlanta, etc...
I did a Folk Art and Furniture show in Chicago for many years, had 24 accounts around the US and quit cold turkey..just as I quit 25 years in the car biz to do furniture.

My logo art.. 21 countries.. several museums, race tracks (Laguna Seca), private collections ..etc
not a point of brag.. it is a point of never giving up and never accepting less than your best, never accept your best as "the" best.. no compromises. Keep going.. there is always another level..though not readily seen or appreciated by others...that doesn't matter.

I make or blend most of my paint, I hand draw with a Pentel mechanical pencil and hand paint with small artist brushes.. no computers, no silk screening, no tricks. Just paint and time. One at a time.

This was also my philosophy when I started making accordeon components and gearing up to make boxes when the .. well.. I hit a wall and spent a little time regrouping. Perhaps one day I'll get back to that.. no compromises, no butt joints. Meantime, I still experiment and draw and mess about but not with a production intent.

BTW I have the greatest admiration for the originals, the creators, the innovators, those who may be slightly off the main path. Tradition is great and tradition evolves...but losing sight, or not giving credit, or taking credit for someone elses work. .. bad form.



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Brett's all new Cajun Accordion Music Theory for all keys!

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