Hey Glenn, thanks for the info. This accordion is beautiful inside...the reed blocks are all tapered from thicker for the reeds to thinner for the higher reeds...in addition every reed block is cut on an angle so that they are largest where they attach to the face and smallest at the end that "ends" in the accordion. All blocks appear to have been sealed or varnished. The high reeds in the bass end have been mounted on the thinest reed block I have ever seen...and there are only reeds on one side of that super thin block. It is really something to see.
And then as you look at the outside of the accordion--Have you ever seen an accordion that is smaller on the bass (lefthand) side and tapers at an increasing angle to the keyboard side? Even the bellows are made at an angle! They are not square! Have you ever seen anything like that? Just wondered how many accordions were made like this. Perhaps if you know another manufacturer who made some like this, I could trace down the accordion's origins.
Hi Chris.. can you send pics and I will do some research for you here in Italy.
I would attribute much of this "character" and quality to the era .. the 50's Italian boxes look, play and sound like no others in my opinion.. ( the old button Soprani's go for $1,500 - $2,000 .. and ANY Italian 50's.. and I daresay 60's box.. in good to mint condition will satisfy.. )..
Workmanship and materials have since been lost.. IMHO.
This of course has nothing to do with LA boxes which the Italians ( despite the materials ) can't touch.. ( I have shown some builders and they are impressed..but don't understand the tuning at all ).